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Past
 Belvelly memory BENEATH, an exhibition of new paintings by Zita Reihill will run until Saturday 28th May.
Zita's paintings take memories and poems as their inspiration for an exploration of the emotional, and physical world that we live in.
Artist's statement'
Beneath
The basis of this body of work is poetry; it is about the depths that poetry takes you to. When a poet’s word strikes true; it moves the very depths of our being. This work is about accessing that truth.
The space I am attempting to find is what Gaston Bachelard calls “a space to daydream”, which is another way of allowing our inner thoughts to emerge, thoughts that come from deep within, it is a form of emotional digging. It is a space in which we can contemplate not only the natural grandeur of the world, but also the immense intensity within ourselves, the silence and the stillness at the core of who we are.
The Romantics called this The Sublime, while Freud called it ‘an oceanic feeling’, this sense that connects us to something within or beyond our deepest selves.
So, it’s about finding a voice, a voice so remote within us, that it will be the voice we hear when we take the time to listen, that takes us back as far as memory reaches, the very limits of memory, beyond memory perhaps.
Poetry is a literature of depth, as Ted Hughes said “poetry consists of things we don’t actually want to say but desperately want to share”
These paintings are my attempt to express a hidden world of inner stories, understories, wishes, desires, lies, nightmares, the world beneath the world, the true story beneath the false.
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 Steady Climber Iconography, an exhibition of new works by Philippa Sutherland will run at the gallery until Saturday 30th April.
Artist's Statement:
iconography
“although it was photography that taught us the modern idea of the image it is painting that allows us to internalise it. It’s a question of touching and being touched”. Barry Schwabsky The Triumph of Painting, 2005
This body of work looks at the fascination of the idealised images of cultural icons; the carefully staged understatement of the portrayal of artists, designers and models in style magazines and the more vivid depiction of musicians in web-based fanzines.
The figures in the paintings gaze out towards the viewer with detachment or defer their glance altogether in self-absorption. Though some have the frontal stance of portraiture, rather than engaging with an audience as characters, the “models” are a blank canvas, a set of appearances, onto which the viewer might project his/her own reading.
In some cases the application of paint stays close to the photographic image whilst in others there is an editing-out of information, a use of more painterly marks, play with pattern and repetition or the use of borders to reference the imagery’s printed provenance. The palette ranges from monochrome and muted to a selective use of vivid colour.
The video [4min 24.05 secs] explores through an interview with a teenage musician the pleasures of contemplating and reproducing images of the personas offered by the musicians she admires. In contrast to the low-key visual strategy of the style magazines these are heightened versions of aspects of ourselves;the interviewee indicates how the process of drawing allows a close scrutiny of the appearances we might assume, the repertore of behaviours and identities with which we can knowingly play as we imagine and construct our sense of self.
This is Philippa Sutherland’s third solo show at The Paul Kane Gallery [ following “folklore” 2009 and “make-believe” 2007].
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 Tent
Off season is Niall Kerrigans first show at The Paul Kane Gallery. The show will run until Saturday April 3rd.
Artits' statement
The concept of ’Off Season’ comes from the months when holiday homes/villages are unoccupied, the atmosphere this creates and the sense of life in suspended animation; reminiscent of the famine villages.
Shops in small, seaside towns waiting for the tourist business to come back; colourful playgrounds and amusements sitting empty.
Unlike the famine villages there is a justifiable expectation of renewed life but for the moment- ‘Off Season’- they are virtually deserted. Buildings and amenities lose their function. There is a dereliction that creates an atmosphere that, not surprisingly, has suggested itself as the setting for menacing tales to unfold in, in both literature and film.
There is also a great beauty to this abandonment; it allows everything to be seen at its most fundamental, allowing a clarity of vision and attention to detail impossible during high season.
Since moving from city life to a seaside village five years ago this aesthetic has seeped into my consciousness and ‘Off Season’ is my attempt to portray its desolate beauty.
Curriculum Vitae
Solo Exhibitions:
2008: Derelict: Silent & Still - Ballina Arts Centre, Ballina, Co. Mayo
2009: Derelict: Silent & Still - Riversbank Arts Centre, Newbridge, Co. Kildare
Group Exhibitions:
2010: Perspectives 5: Ballina Open Exhibition - Ballina Arts Centre, Ballina, Co. Mayo
2010: RHA Unselected Show - Bad Art Gallery, Dublin
2009: Perspectives 4: Ballina Open Exhibition - Ballina Arts Centre, Ballina, Co. Mayo
2009: Westport Arts Festival - McGings Pub, Westport, Co. Mayo
2009: S.L.A.M. - Sligo Arts Festival, Co. Sligo
2008: Perspectives 3: Ballina Open Exhibition - Ballina Arts Centre, Ballina, Co. Mayo
2007: Perspectives 2: Ballina Open Exhibition - Ballina Arts Centre, Ballina, Co. Mayo
2006: Perspectives: Ballina Open Exhibition - Ballina Arts Centre, Ballina, Co. Mayo
Collections:
Ice House Hotel, Ballina, Co. Mayo (Hotel Collection)
Riverside Arts Centre, Newbridge, Co. Kildare,
Private Collections
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“ We are where we are” is an exhibition of new works by Eoin Mac Lochlainn, it explores the human dimension to the economic downturn, empathising in particular with those on the margins of society.
Artist’s Statement :
I take images from the media as the subjects of my paintings. It is easy to become inurred to the individual stories that lie behind any of these images, but by choosing one and making it the subject of a painting, I try to emphasise the importance of that human story and, in a way, to subvert the notion of the “15 minutes of fame”.
Over the last year much has been written about empty hotels, tenantless apartment blocks and ghost estates, an estimated 300,000 units vacant or unfinished. At the same time we read about the growing problem of homelessness… My work engages with contradictions such as these but, whilst the subject matter may be tough and the questions raised uncomfortable, my primary intention is to make paintings whose colour and form are equally compelling.
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 24-12-2010 +25-12-2010
WATER COLOUR is an exhibition of very recent new works by Marc Reilly continuing his exploration of the waters, trees and landscape of his immediate surroundings in Laragh,Co. Wicklow.
The exhibion will run until Friday 28th January. |
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(C) 2013 THE PAUL KANE GALLERY
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